Nothing we build is truly still. What appears fixed is already shifting, slowly moving toward ruin. Historical structures were built with the expectation of physical, social and emotional survival and often remain intact for centuries. The fragility of contemporary structures feels particular to our moment. What we construct today is efficient and replaceable, quick to disappear. Emotionally, we operate in much the same way. By managing and categorising feelings, by containing them, we become emotionally bureaucratic and obsessed with control.

This idea of control and permanence is reflected in the concept of a perfectly arranged still life. However, stillness is a fiction. Even when change escapes the naked eye, decay continues, visible only through slow and intentional observation. Through this, time reveals itself not as an abstract force, but as something intimate and constant. These works trace a breaking down of structures, both external and internal, as an opportunity to sit with what remains when surfaces fall away. It is through the contemplation of ideas we do not allow ourselves to sit with that we may learn what exists beyond them.

Exhibition Details

Gallery : Method Delhi
Opens 8th January 2026

Signs of Life observes an encounter between colour fields and engineered form: where the sensorial and the constructed meet without fully merging. The works suggest an interface: not human, not purely material, but something evolving between the two.

Exhibition Details

Gallery : Method Delhi
On view until 25th Jan 2026

RITES is a solo exhibition by Alida Sun that reclaims women’s erased computational heritage through code, ritual, embroidery, and care. Rooted in her daily coding practice, the works translate hand-written software into embroidered tapestries made with women at SSMI, turning technology into solidarity and livelihood.

Integrating movement generated code and protective mirrorwork, each piece becomes an abstract human machine portrait and encrypted sigil, reimagining technology as a tool for collective creation and resistance.

Exhibition Details

Gallery : Method Delhi
Dates : 31 Jan - 15 Mar 2026

Where is Jennifer explores the absurdity and freedom that emerge from failure, following Aditiya Singh’s obsessive attempts to capture Jennifer Aniston’s presence—each one unraveling into distortion, humour, and haunted likeness. Working intuitively through pareidolia, he pulls unexpected figures from chaotic marks, treating painting as a nocturnal compulsion where colour becomes emotion and canvases hold the overflow of his inner world. The show reveals not what is seen, but what insists on being found.

Exhibition Details

Gallery : Method Kala Ghoda, Mumbai
Dates : 22nd November - 28 December 2025

We Were Always Neighbours, curated by Sahil Arora (Founder, Method) for Asia NOW 2025, brings together emerging artists from India and Pakistan to resist imposed divisions and reimagine South Asia as a shared terrain of memory, gesture, and kinship. Through painting, sculpture, performance, and installation—ranging from intimate objects to site-specific interventions—the project transforms the Monnaie de Paris into a borderless corridor of dialogue and collaboration, carrying forward the simple yet radical truth: before we were divided, we were always neighbours.

Fair Details

Asia Now Paris
Dates : 21st October - 26th October 2025
Venue : Monnaie De Paris, 11 Quai de Conti, 75006 Paris, France